On Thu, Jan 20, 2011 at 10:43 AM, Roge Domeny <rogerdomeny at att.net> wrote: > ...Tests that rely on higher partials of A49 will > not be accurate because the inharmonicity that is present in the piano will > not be matched by the pitch source. In general I agree with this, as it can be a source of confusion. However, in the article I referenced, what Jim Coleman showed was that over a broad set of piano brands and sizes (perhaps more diverse than what will be encountered on the tuning exam?), the inharmonicity while varying can be predicted to fall within a reasonably sized window. That window, combined with the increased accuracy of listening at a higher partial, leads to a very good method for setting pitch. Before I took the exam I was confident in my preparation using the traditional F2 method. However, with only a little bit of practice, I found I was quickly more *comfortable* and *faster* using the 3rd partial method. These days, on the job, I mostly set pitch with Tunelab. But I still carry my SQ-50 and a Johnny Walker, for backup, and for variety. I do think it is a bit controversial, judging by some of the discussions I've had (in particular, with respect to the unpredictable inharmonicity values). So maybe enthusiasm for the technique takes a bit of a renegade streak :-) Jim Moy
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