On 12/20/2012 4:49 AM, Mark Davis t/a PianoForte Technologies wrote: > Ron, Steve Brady,RPT, wrote that when touching up a tuning, he listens > to the sound of all three strings to evaluate the octave. If he finds > only one string of the unison needs to be corrected, he only > tunes/corrects that string. He goes on to say, "It works because I > assume that two or more strings on each note are already right, rather > than assuming that I'm going to need to tune each and every string." > Now, I would assume that Steve very well may test the final > product/tuning by giving hard blows or pushing against the string with a > hammer shank or...I don't know all the tricks, but surely he is someone > who would not allow unisons to go out of tune in a concert. > Thanks, Mark Concert tuning is an entirely different world from field work. What Steve describes is quite practical when a piano gets tuned every other day, but isn't something you can get away with on a six month or year old tuning that most of us deal with. Ron N
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