On 9/27/2012 11:39 AM, Cy Shuster wrote: > For those of us dealing in the interactions of vibration over time, this > is pretty fascinating! 32 metronomes start randomly, and then > synchronize. Watch the right-hand row around the 2:00 mark for an > antinode to develop, and notice how quickly it shifts phase. The > platform the metronomes stand on appears to be suspended by string, and > the amount it moves left and right changes a lot over time. This very thing happens tuning unisons too - probably everything else as well, but it's more obvious with unisons. The yeooowwwwwwww heard as two strings come close together in tune is the two of them drawing together and synchronizing courtesy of the moving common termination at the bridge. Interestingly, farther apart in tuning and you'll get a beat, but at a certain point, you'll get the yeow on attack that never repeats as a slow beat. This is why I've said for so long that pretty much everything important to tuning happens in the first half second of the attack. That's aural tuning, because that's what I do. I've listened to people tune unisons, listening three or four seconds into it waiting for the next beat, then moving on when it doesn't come, leaving the yeow in the attack and a less clean unison than they intended. If the metronomes were set at significantly different periods (through a broader range), they would cycle in a periodic pattern. Neat stuff. Ron N
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