Fred and all, Thank you so very much for sharing your insight regarding work on the "purchasing guidelines". Seems to me, your work is a very nice breakthrough. I see it going a long way to help us further promote the upgrading of pianos at our schools. If it is not too much trouble, would you please forward to me a copy of your spreadsheet or make it available on the CAUT site for download? Thanks largely to the inspiration of CAUT, I recently presented a list of documents to one of our local school systems. For the purchasing agent, I put together a presentation folder; and in addition, converted all the documents to Adobe.pdf and placed them on a CD. I also created a webpage for Facility, Staff, and Administrators to reference < www.highpointpiano.com/gcs >; included was information from CAUT, PTG, Dampp-Chaser, American Music Conference, and the National Piano Foundation. Also, I noticed that the "Guidelines for Effective Institutional Piano Maintenance, revised edition 2003, Final Draft - PDF" currently does not list any endorsements. I have, and I know that many others have already signed on; but can other tech's still get listed? For those of you who have not read the guidelines (and signed up to endorse them) ... visit http://www.ptg.org/caut.php/guidlines_pg.htm to review the final version. Because CAUT has done so very much to enhance the quality of my piano in our community, I strongly encourage (the rest of) you to sign on and commit yourself to utilize this valuable resource. Kindest Regards, Garret Traylor garret@highpointpiano.com http://www.highpointpiano.com/pages/caut.html -----Original Message----- From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org]On Behalf Of Fred Sturm Sent: Wednesday, February 18, 2004 12:56 PM To: caut@ptg.org Subject: piano purchase Hi all, Last fall I posted quite a bit about the problem of piano purchase at a state institution, and eventually outlined the process I developed based on feedback from this list and a listserv of music administrators. To summarize, we named specific models of piano and invited vendors to submit bids to provide those pianos, also offering them the opportunity to submit other models they thought were comparable. Decision was advertised to be based 60% on quality as determined by individual audition, 40% on price. We evaluated each individual piano offered, with each member of a three member committee going individually to each store and rating each piano on an evaluation sheet (with numerical ratings). Prices were rated on an equal scale (quality was compiled on a 0-12 scale, so price ranges were rated similarly 0 - 12, with $500 increments for small and medium uprights, $750 for large uprights: IOW, $3000 - 3500 = 12; $3501 - 4000 = 11; $4001 - 4500 = 10, etc). The average quality rating was multiplied by 0.6, price rating by 0.4, and those two numbers added together gave the composite rating for each instrument (I put together a fairly simple spreadsheet to do the math and present it to the purchasing department). I am happy to report that this went very smoothly. Purchasing was happy, the vendors were happy, and the committee - well the consensus was that we accepted the results (even though we disagreed quite a bit on individual pianos). For those curious, we decided on 3 Yamaha P-22's and a Petrof 131. A lot of trouble for 4 uprights, but worthwhile over the long haul, I think, in establishing a process. Next year we'll enter the realm of grands, and it will start to matter more. Regards, Fred Sturm University of New Mexico _______________________________________________ caut list info: https://www.moypiano.com/resources/#archives
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