---------------------- multipart/alternative attachment For what it's worth, the critic in the paper is actually a quite knowledgeable person. He is an English professor, and plays the piano a little, (I used to tune his piano), but does a lot of research prior to any concert about the music that's going to be played. I have a feeling he talked with Wolfrom after the concert, because I don't think he could hear the problem from the hall. (He is not that good). Here is the review in the paper. "Here it was Wolfram's turn to do some exploring, as he felt his way along the music halls' recently acquired and very powerful Steinway grand. Though this instrument has not been played much, something is clearly amiss with the evenness, or lack of evenness in the sound it gives out. It's murky in the lower notes, rather soft in the middle range and downright brittle in the higher notes. This is a potential disaster for the Beethoven's C Major, in which the pianos' most dramatic touches arise from its' scales arpeggios and ornaments - moments of maximum exposure. Though visibly (if fleetingly) surprised at what he was hearing in the first movement, Wolfram was quick to take the measure of problem, working the brilliance of the instrument into a reading that the energy level and let the most subtle of Beethoven's touches speak for themselves. His closing Rondo was a dance of triumph, rejoicing at the successful solution of a problem suddenly posed." Horace mentioned the importance of a technician being available for a recital. The Alabama Symphony was a guest at our music hall. 2 weeks prior to the concert, I asked our concert coordinator about a schedule: What time could I tune the piano, what time will the soloist be there to talk to me? All I got, even up until two days before, was that they will set up the stage at 11. Nothing about when the soloist will show up, when he wanted to practice. For all I knew, he was gong to show up at 3 o'clock in time for the concert, and play. So even if I had been there, there wouldn't have been much I could do about it. Since I had a dress rehearsal to go to at the same time, I didn't even go to the concert, for which I had bought tickets. You can imagine how I felt when I read the review in the paper. Did I mention how there are no classes offered that teach how to create a thick skin. Wim ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/a8/18/11/ca/attachment.htm ---------------------- multipart/alternative attachment--
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