---------------------- multipart/alternative attachment In a message dated 3/17/2005 7:16:19 P.M. Central Standard Time, fssturm@unm.edu writes: 3) Before proceeding, make doubly sure you have spaced the hammers (and adjusted the una corda stop screw) as near perfectly as possible, by playing each note in turn with pedal fully depressed, muting the right two strings with a rubber mute. Frerd Thank you for all the advice. I do everything you have suggested. As a matter of fact, I am going to be teaching a class at the convention on just this subject, (spacing). It's call "Have heat gun, will travel". It about burning, spacing, and traveling hammers. In regard to the pedaling, as I mentioned, I have never seen a piano player use the pedal as much as this guy does. I mean, he literally rides the thing, almost as much as the sustain pedal. I don't think I have ever see him NOT use it, to some degree. I read a paper once where a pianist, who also rode the pedal a lot, was forced to play a recital without the use of the una corda pedal. He had to adjust his playing style completely, playing expressively. The review stated he never sounded so good. That is why I think this professor thinks he is playing expressively, because he pumps the pedal a lot, but I don't hear the nuances he is trying to create. Wim ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/6f/c7/8e/9e/attachment.htm ---------------------- multipart/alternative attachment--
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