In a message dated 8/16/07 10:32:33 A.M. Hawaiian Standard Time, jtanner at mozart.sc.edu writes: On Aug 15, 2007, at 7:35 PM, Thomas Seay wrote: Why would you need to pull the stack? Just use the same procedure you use for setting key dip, i.e., lift the front of the key up and slip the extra cloth punching over the pin, being careful not to lift too high. In my view, that is the fastest way to do it. Tom I've never been able to make that work without feeling like I was compromising the stability of the paper or card punching. When you cut the paper punching, and put creases in it bending it around the keypin, it seems to me to make the regulation unreliable. So, I've always done it the old fashioned way with the stack off. Aren't we talking about the front rail punchings? I don't think lifting up the front of the key to be able to take out the felt punchings and insert cardboard or paper punchings will make the regulation unreliable. We're only lifting the front of the key less than an inch. This is the way I correct keydip and aftertouch, in the piano. I do agree with Jeff about cutting the paper punchings, especially for the balance rail. I never did like that idea, and for me it is too difficult to reach under the keyframe to insert them under the keys. Willem (Wim) Blees, RPT Piano Tuner/Technician Honolulu, Hawaii ************************************** Get a sneak peek of the all-new AOL at http://discover.aol.com/memed/aolcom30tour -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070816/29fe4625/attachment.html
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