Actually, this is not quite correct either. The rep spring in play does basically the same thing it does when we hold the key down. It pushes the two <<halfs > of the action it separates away from each other. Its just that when you hold the key down the only thing that can move is the hammer... upwards. But it exerts exactly the same amount of force in each direction just the same. How much is released in either direction is another matter. Under play the parts move away from each other relative to how much mass each half presents to the spring. If the key has enough effective mass.. then you can actually experience a slight rise in the hammer under normal play. Happens with often enough when the pianists fingers dont simply release the key or release it very slowly. As far as the whippens' weight. True enough that 1 gram of whippen radius weight equals translates to roughly 0.5 grams of weight difference at the key. Clear enough given by the following : Action Weight = (SW x HR x WR) + WW. Where Action Weight is what is sitting on the capstan. That said... that is a static measurement. I dont know of anyone who's looked all that closely at the dynamics of different whippen weights. I wouldnt have any problem removing 2-3 grams of whippen radius weight. It is after all a small gain (if gain means reduced Action Weight) and its quick and easy enough to do. If you lower whippen mass and leave the spring as it was.. then there will most definitely be a change in repetition speed. The sum of the two halfs are reduced and so the spring has an easier time of it. Dark side of this moon tho is that for the same repetition spring strength, more will be felt fed back through the key. Cheers RicB > Greetings, > I don't understand how whippen weight relates to hammer rise, since > the only part of the whippen that moves during this rise is the > balancier. More explanation, here, please... > Regards, > > > Ed Foote RPT It ought to improve repetition some, because there's slightly less mass in the wippen. Hammer rise doesn't have anything to do with repetition except as a handy visual aid for us to set spring strength on the bench. In play, the wippen and back of the key are pressed down and the hammer doesn't rise. Whether the repetition difference is enough to be worth the trouble is a subjective call. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC