Hi David I know there are several opinions about how pinning can affect tone and/or if it does at all to begin with but my experience tells me that as solid a pinning as is possible without compromising the ability of the action to play and repeat quickly is a precept for good voicing and good projection. Whether it is because the tighter pining causes a more solid path and impact moment, and less dispersion of impact energy back through the system or not... I really dont know. I think like many such subjects, the actual physics is something we do a lot of guessing at but really dont <<know>> much about. That said... the difference in sound and projection is real enough and its one of the things I do very early on in any full voicing/regulation beef up I do on an instrument. Like hammer mating and unisons being in a level plane. Cheers RicB I have been having some interesting time with our Hamburg Steinway here at Stanford. This is 9 years old. I filed the hammers for the first time...I know, not heavy playing...but I repinned for the 2nd time in a year. Went from 4 grams to 2 grams or so...I decided to repin at 5 to 6 grams. The tone is projecting (tone above the strings) to beat the band...the combination of careful filing and repinning has, imho, brought the piano back to it's new piano sound...I'd appreciate comment on center pinning/tone and concert instruments... David Ilvedson, RPT Pacifica, CA 94044
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