David Sanderson wrote: > Try to locate the control unit at >least 6" from either. Install as much drying power under the piano's >soundboard as you can, three rods minimum, at least 100 watts, >preferably more. One fifty watt rod behind the keybed, a thirty-eight >and a twenty-five triangulating the perimeter of the soundboard. I >mount the humidifier in the center of the triangulated rods, suspended >from the bottom of the frame, not the top as indicated in the >literature. This pattern has worked very well for me. If I need two >buckets under the piano, say for a Steinway B or Yamaha C7 I can fit >them side by side right in the middle on a single set of rods, trying >to find a hanger support to a beam in the middle somewhere in between >the buckets. Does anyone else have successful experience with installations similar to this triangulated rod configuration? I am trying to deal with a problem piano faculty studio (with side-by-side Steinway B's) in a building with no climate control. The building is very well ventilated and outside weather changes show up in this studio almost immediately. This studio was not so much a problem until a year ago when the professor coerced the plant facilities people into raising his thermostat setting. The resulting raise in temperature has increased the comfort of _people_ in the studio but has caused a number of serious problems for the pianos. The elevated thermostat setting means that more heated air enters the room, lowering the relative humidity. In addition, the fact that the heating system is on a higher percentage of the time in the studio means, I think, that the studio is better ventilated than it used to be; the professor discontinued use of his room humidifier, because after the thermostat was adjusted upwards, he was having to fill the humidifier too often, and it seemed that much of the moisture was being carried away, out of his studio into the rest of the building, by the central heating system. The pianos both have Dampp-Chaser systems, but the moving air in the studio reduces their effectiveness. I need to increase the power levels of the Dampp-Chaser systems but am reluctant to do so unless I can also deal with the problem of moving air. Practical suggestions would be welcome. Baffles? Screens? String covers? Remember that I have an unused room humidifier to work with, if I can keep its output from being "wasted" on the rest of the building. Kent Swafford
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