Hi Susan, The subject of your post, below, is interesting to me. Unfortunately, however, I was unable to understand your explanation. Sometimes explanations requiring a long sequence of logical steps are difficult to put in writing and I am hoping that your typing was not as thorough as your thinking. If I am wrong, then *I* am the slow one. In any case, would you care to re-explain this thought process one more time? To date you received only one negative response to your post so perhaps this is not of interest to all. A personal response will then be appreciated. Howard S. Rosen, RPT Boynton Beach, Florida ------------- > For A=428, knowing that I needed to end up 47.-somthing cents > low, I could calculate beat rates: from McFerrin, G#4 = 415.31 Hz. > Subtracting from 428, I would get 12.69 beats. Subtracting 428 from > A = 440, I would get 12 beats. This is reasonable since what I need > is almost exactly 1/4 tone below modern pitch. (Just 3 cents off ...) > > Assuming that a fortepiano brought in for a concert would probably > already be at A = 428, the pitch adjustment in the temperament octave > would probably be minimal. However, if the pianoforte were found to be > at 440, one would have to assume the piano would rebound roughly 1/4 > of the pitch lowering. I could then try tuning the A# slightly sharp > (7 or 8 beats sharp) of 440, setting the temperament from that > and seeing what I ended up with. > > I could check results by testing A# against the A (440) fork, wanting > it roughly 13 beats sharp, then testing A against the A fork, wanting > it exactly 12 beats flat. While not able to _count_ 12 or 13 beats > against a watch, it would be easy enough to see if the A# beat rate > (against the 440 fork) was just a trace faster than the A (also > against the 440 fork.) Then I could test A against my A = 435 fork, > and see if it were 7 beats flat. The A beating against the 435 fork, > giving 7 beats, is close to the F-A beat rate memorized for my normal > temperament, so that wouldn't be too hard to tell with fair accuracy. > If it passed all of these, it would certainly be close enough for a > solo concert, and probably easily within tolerances for any instruments > that might be used. > > Calculating technicians, is this on target or out to lunch? > > Regards, > > Susan > > Susan Kline > P.O. Box 1651 > Philomath, OR 97370 > skline@proaxis.com > > "By using your intelligence, you can sometimes make your problems twice as > complicated." > -- Ashleigh Brilliant >
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