At 08:35 PM 5/2/99 -0400, you wrote: >Hi Wim, > >Interesting questions. > >I probably lean more in the opposite extreme. If some of you saw me >stringing, you'd probably say something like, "He sure is slow." And I have >to admit, I am slow. But it's becoming an art to me. It's a challenge to >see just how -Good- I can make the stringing job, and absolutely not a >matter of what I can 'get away with'. The more pianos I restring, the more >interested I am in seeing just how perfect I can make it. I try to make the >coils not only straight and tight, but also I try to make the becket come >out of the hole uniformly, Why do you want the wire to stick out of the pin? It makes a sloppy looking job, & serves no purpose. If you really wanted to be fastidious, you would make certain the wire goes the whole length of the hole but does not extrude. Too short of a becket in the hole can cause slippage but a neater job is derived by nothing sticking out. >and I also try to get the same amount of coil >around each tuning pin, and last but not least, making the pins nice and >level (at an appropriate level above the plate). I've never been able to >make one perfect, but I would be ashamed of some of the work I've seen a few >others do. Make a measuring gauge for cutting the wire to the apporpriate length. I have a jpg and info sheet on how to make the Becket Tool. :-) This gadget produces consistant beckets. Jon Page ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > I would say I'm probably my own worst critic. If it isn't perfect, it's >not good enough for me. I try not to be too big a fanatic about it, but >perfection is always my goal. And hopefully, I move a little closer with >each job experience. > >Does any of it really matter? Perhaps to a limited extent, perhaps not at >all. To me, most of it is personal pride. When I'm done with a job, I feel >a real sense of accomplishment when I look at my own work and compare to >another well built piano, and my work is either as good as or superior to >one of the best. That's my goal. To do to the best of my ability that >which is set before me. I was reading the PTG code of ethics just >yesterday, and if I remember correctly, that was part of it. How far each >of us takes the general principle is an individual thing,... but that's my >two cents. > >Interesting discussion. > >Thanks, > >Brian Trout >Quarryville, Pa. > >-----Original Message----- >From: Wimblees@AOL.COM <Wimblees@AOL.COM> >To: pianotech@ptg.org <pianotech@ptg.org> >Date: Sunday, May 02, 1999 7:30 PM >Subject: Re: Tightening coils on sloppy restringing > > >>I am not advocating, or defending a sloppy stringing job, but here's >>something I want to throw out of disucssion. >> >>I was told once that the way a string is coiled around a pin has no effect >on >>the tuning stability of that string. This does NOT include a loose becket, >or >>untight coil. I am talking about wires that cross over each other. Anideas >on >>this? >> >>The other aspect of this post is the coils against the plate. Again, it is >>not a good way to do it, but what is the effect of a coil down on a the >plate? >> >>Wim >> > Jon Page Harwich Port, Cape Cod, Mass. (jpage@capecod.net) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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