Brian Henselman wrote: > > Ummm, > > What ever happened to just tuning with a fork and our ears? If a shoptuning > is all that is necessary, then shouldn't the TuneLab be more than adequate? > If you want a precision concert tuning, then what's wrong with aural tuning? > > Please don't think that this is a "flame" against machine tuning. It's not. > I'm just pointing out that by the time that a quality difference between > TuneLab and RCT is necessary, (and if you have the skills), then why not > just do it the only fashioned way, aurally? If the environment is too > hostile for an aural tuning (ie the shop around power tools), then I'd think > that TuneLab should do the job just fine. > > Just call me old-fashioned. > > Cheers, > Brian Henselman Brian, I prefer to provide the best possible tuning, whatever the circumstance. I tuned exclusively by ear until only three months ago. Now I use an ETD and want it to be at least as good as my aural tunings. I chose RCT because I want the best and I want it to be able to design my tunings in as many ways as possible to fit the instrument, the client and my ear. I also want to be able to achieve more accurate pitch raises than I ever could before. Paul S. Larudee, RPT Richmond, CA
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