Gina Carter wrote: > Well geez Richard, > > My feeling was that Bob made the statement: > > > > >Regulating tone, can only precede an in depth ability to tune and > regulate the action at concert > > > > level. > Grin... I would have to aggree with that feeling... he did in fact make that statement.. And I am still not sure how to interpret this particular formulation. I get stuck on the placement and use of the word "precede" > > My feeling is that my reply spoke to that statement. You must not have had > the privilege of attending one of Fred's or Joe's classes. You seem to be a person who is very in touch with your feelings. :)) I have not had the privilege of attending any of Joe's or Fred's classes, tho I hope to rectify that soon enough. Your reply of course was excellent and quite to the point, as you saw the point to be. I just thought we had gotten our feet a bit wet with this buisness of how manipulating timbre through tuning can be looked at as a voicing tool. And I got a bit excited as this is a neat part of tuning I know far to little about and have only just heard a couple discussions on the matter. I play around a lot with the idea and its something that I believe has helped me begin to hear more and more partial relationships selectively as I tune. Its amazing how many ways it is possible to "hear" an octave, and what then we can potentially use that ability for is equally so. But.... I guess I will have to wait until another thread on this line gets started... Skål, Gina :) > > > Off to do some tone regulating now. :-) Do you do this with feeling as well ? (couldnt resist,, grin ) > > > Gina > > ----- Original Message ----- > -- Richard Brekne Associate PTG, N.P.T.F. Bergen, Norway
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