Is stretching the high treble an art or science? That is, do you balance the single and double octaves by whether or not it "sounds good", or do you go by a specified amount of stretch in cents? I've heard both opinions. If it's more of an art, I would imagine there are those who favor the single octaves and those that favor the double octaves. Is this the case? Also, do performers ever specify the amount of stretch they like? As for the bass, I'm finding that if I tune the bass notes at other than beatless octaves, it sounds muddy and out of tune. But then I get those horrible sounding 10ths, which I know I should expect. Any advice on balancing these two problems? Thanks, Charles Neuman Plainview, NY
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