What about working powdered Teflon into the bridge top? I'm sure one could get it to produce a nice slick surface - but would the slickness deteriorate after a short while? Terry Farrell ----- Original Message ----- From: "Gevaert Pierre" <pierre.gevaert@belgacom.net> To: <pianotech@ptg.org> Sent: Saturday, April 06, 2002 4:25 PM Subject: Re: Tallow/Graphite/Bridges Question > Cocerning the bridge tops, indeed, (older?) European pianos often have no > graphite there, but I've heard that they used an other substance which is > invisible. Several persons told me they always (use to) put something on the > bridges. > If that is right, has anyone an idea of what they could have used in the > past or maybe still now? > Pierre Gevaert, > Belgium. > ----- Original Message ----- > From: "Joseph Garrett" <joegarrett@earthlink.net> > To: <pianotech@ptg.org> > Sent: Saturday, April 06, 2002 6:49 PM > Subject: Tallow/Graphite/Bridges Question > > > > Dale, > > The question: What do I suggest you put on the bridges? NOTHING! A lot of > > European Pianos have nothing on the top of their bridges and we oh and aw > > about them! I think we just got used to seeing something there, so have > > continued to do so. The lubricity of steel against hardwood is more than > > sufficient to render the tension throughout the length of the string, > IMHO. > > When I make bridges for other techs, do I put graphite on them? Yes. But > > only because it is expected and I am, after all, reproducing what was > > already there. The only reason to use a dark substance on a bridge is that > > it is easier to see where the termination point should be, when chiseling > > the termination. > > Regards, > > Joe Garrett, RPT, (Oregon) > > > > >
This PTG archive page provided courtesy of Moy Piano Service, LLC