----- Original Message ----- From: Jason Kanter <jkanter@rollingball.com> To: <pianotech@ptg.org> Sent: Friday, April 19, 2002 10:03 PM Subject: Re: zither tuning | >From http://www.zithers.com/Stringing.html | | There are two zither stringing formats in use today: Munich and Vienna. | Munich is the most commonly used because it incorporates every note in the | chromatic scale encompassed by the scope of the instrument. The stringing | pattern on the fretboard is like the violin family, a fifth apart. The open | strings are in the circle of fifths, broken between Eb and Ab an laid flat | on the zither, similar to a accordion layout. I am wondering if the tuning is actually "broken" between Eb and G#? (Instead of Ab) If tuned according to the circle of 5ths, Ab is not the same as G#. To illustrate, a common tuning scheme since 1523, 5ths are tuned up from C to G#. Then another series is tuned from C down to Eb. Thus the "break" or "wolf" occurs between Eb--G#. Consider the series.by 5ths up.... C--G--D--A--E--B--F#--C#--G# And the series by 5ths down from C--F--Bb--Eb.......The next note would be Ab but that has already been tuned to G#. These two notes are not the same unless tuned by ET. ---ric | | In addition to the basic 29 fretboard, accompaniment and bass strings, | zithers may have 2, 3, 5, 7, 9 or 13 contra bass strings - the full harp | zither has 42 strings (5 fretboard and 37 open strings). In some early | versions, and on perfecta zithers, the contra basses were arranged in the | same circle of fifths as the accompaniment and bass strings. Munich tuning | was often expressed in treble clef (violin key, or similar to guitar clef) | but today is mostly written in bass clef. | | Viennese Tuning was/is prevalent in Austria/Hungarian Empire regions (i.e., | Bohemia, Vienna) and stems from the teachings of Carl J. Umlauf in the | middle 19th Centry, while Munich Tuning generally speaking, stems from the | teachings of Adam Darr and others in Bavaria. Viennese tuning was always | written in bass clef. | | Zithers tuned in the Viennese mode have 38 strings - the addition of the | first accompaniment string of ab-0 and 8 contra bass strings comprise the | total strings. Other differences are the fretboard has a high "g" instead of | two "ašs", strings g-5 and f#-10 are an octave higher, and 5 contra basses | are inserted in the bass strings: Eb-13, F-15, D-18, E-20 and C#-23. | Zitherists working in entertainment settings often utilized the 5 contra | basses, but not other features of the Viennese tuning. | | | | || ||| || ||| || ||| || ||| || ||| || ||| || ||| || ||| | jason kanter * piano tuning * piano teaching | bellevue, wa * 425 562 4127 * cell 425 831 1561 | orcas island * 360 376 2799 | || ||| || ||| || ||| || ||| || ||| || ||| || ||| || ||| | | | From: "Keith Roberts" <kpiano@goldrush.com> | Reply-To: pianotech@ptg.org | Date: Fri, 19 Apr 2002 15:46:53 -0700 | To: <pianotech@ptg.org> | Subject: zither tuning | | | I had a customer ask if I knew how to tune a zither. About two octaves of | tuning pins and a fretted section with guitar type tuning pegs. I think I | saw one once about 40 years ago. Can't recall if anyone played it. | Keith R. | | |
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