David Love wrote: >Why does this problem require Stanwood??? No offense to David, I have the >greatest respect for his contributions. But the concepts aren't voodoo or >witchcraft. Nobody said it they were. >I'm not even sure how you come to that conclusion given the >descriptions of the problems with this particular piano. The action is too >light probably with low inertia. You accuse me of jumping to conclusions and then make this whopper in the next sentence ??? > Given the limitations of the budget (work >must be accomplished in one day), and everything else needed, addressing >the >weight issue will not probably be possible. You could add some clips to >the >shanks to increase the strike weight a bit, and it would be easy to undue >if >this criticism was the particular taste of this pianist. But the piano >would probably be best served by Roger's suggestions, or by Joe's which was >to give them the Steinway. > >David Love > Before jumping all over me Dave... you might read what was written. I simply said it would be interesting to see the results of such a proceedure, especially given some recent discussions. I didnt get into any costs analysis, time discussions, or feasablitiy studies... I even directly suggested it was perhaps an unlikely route. I also avoided (deliberatly) offering this comment as advice per se. shhesssh. RicB. > >----- Original Message ----- >From: "Richard Brekne" <richard.brekne@grieg.uib.no> >To: "PTG" <pianotech@ptg.org> >Sent: July 04, 2002 12:04 PM >Subject: Re: Advice needed on Bechstein Concert Grand > > > > > Hi Bill > >On the surface of things... this looks like a very interesting job for >Stanwood. Perhaps you will not go that route, but in light of a few recent >threads about hammers, their hardness, and how these are sensed at the key >by >the fingers... combined with other voicing and playablitity concerns..... >it >would be darned interesting to see Stannwoods best done and have a look at >the >results seen from both yours and the pianists perspectives. > >Otherwise I can say that my feeling about Bechsteins is that they can very >easily get too bright sounding, and when they do they seem to me to take on >a >bit of an empty hollow crashy tone. I like to keep them on the soft side... >requiring that a pianist really smacks the key to get any really bright >colour. > >JMV > >RicB >Richard Brekne >RPT NPTF >Griegakadamiet UiB Richard Brekne RPT NPTF Griegakadamiet UiB
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