Hi Del, I suppose one tiny benefit "might" be a small pitch correction "overshoot" being needed. That, at least, is what I have consistantly found on pianos with one loop and one tied string. At 02:29 PM 4/22/2003 -0700, you wrote: > >----- Original Message ----- >From: "Tom Driscoll" <tomtuner@attbi.com> >To: <pianotech@ptg.org> >Sent: Tuesday, April 22, 2003 5:20 AM >Subject: brambach upright backscale > > >> >> List, >> Unusual stringing-hitch pin system on a 100 year old Brambach >> upright. Excuse the poor photo, but each unison is independent from the >> next. I guess the designer didn't want a string to loop around the hitch >> pin to the next note. Middle tuning pin has the knot while top and >> bottom tuning pins loop around the hitch pin. >> Perhaps some of you have seen this before ,but it was a new one >> for me, >> Tom Driscoll RPT > >A Brambach upright? I've never seen one before. > >But I have encountered this style of stringing. Usually the trailing >hitchpin is some larger than the one used here. The idea being to spread the >two outside strings enough so that they come straight back from the bridge >pins. > >A good compromise for those wanting equal tension on both sides of the >hitchpin. I don't see any practical benefit, but it does look nice. > >Del > >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives > > Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.M.T., R.P.T. mailto:pianotuna@accesscomm.ca http://us.geocities.com/drpt1948/ 3004 Grant Rd. REGINA, SK S4S 5G7 306-352-3620 or 1-888-29t-uner
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