Phil, In our part of the world, Brisbane Australia, we see verdigris on nearly all piano makes. During the 50-60's, English piano makers did what they called Tropicalised their piano being sent to Australia. To do this, they used nickel plated centre pins and tinned or galvanised piano wire. The strings did not rust and the centre pins did not get as much verdigris on them (only on the cut ends where the brass was exposed to the environment). The old German pianos of the early 1900's have a big problem if they have been left sit unplayed for a number of years. We even get this on 20 - 30 year old Yamaha & Kawai piano, especially grey market ones. Kerry ----- Original Message ----- From: "Phil Frankenberg" <rinkyd@pacbell.net> To: "Pianotech" <pianotech@ptg.org> Sent: Thursday, March 20, 2003 10:12 AM Subject: Re: Upright Wippen & Mutton fat > Kerry > You state "Verdigris on centrepins does not come from mutton fat, it is a > natural effect of brass that has been polished by the felt bushing and then > let sit in a humid climate". In my experience I have never seen verdigris on > any piano other than Steinway, though I have seen many pianos that sat in a > humid climate for long periods that did not have verdigris. It seems to me > there must be another factor here. I really don't know if it's sheep tallow, > I was told it was some 25 yrs ago ,but nothing to back it up. Why does this > seem to be at least mostly a Steinway phenonenon? > Thanks > > Phil Frankenberg >
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