>Hi Phil. > >I liked this post. >Precision of measurements is a great concern. Even better would be >defining clearly (and in my opinion this only can be done by >empirical tries) how precise you need to be to be pertinent in what >you are doing. I agree. Given that the pianist is the one that is going to make use of the results of all this action manipulation, then achieving a level of precision that gives results that he can neither feel nor hear is wasted effort. But to establish the level of accuracy of each parameter empirically would mean varying parameters one at a time and then doing a battery of tests with skilled pianists to see how small a change in that parameter is a detectable change (a statistically significant detectable change) and how sensitive pianists are to changes in that parameter. You also have to be sure that you've truly isolated the one parameter that you think you're testing for. For instance, if you want to test for changes in key front weight, you need to be sure that you haven't changed key inertia in the process. If the pianist detects a change, you then wouldn't know if it's from changing front weight or inertia. All of this is easier said than done. > Every measurement you do in a piano should be accompanied by a >relative error of measurement discussion (which should be easy) I'm not sure what you mean by this. Phil Ford > and an evaluation of which precision of measurement is still >pertinent in relation to the goal you reach (which would need a >lifetime careful observations). > >Best regards >(and admiration for your scientific abilities) > >Stéphane Collin.
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