This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment This discussion reminds me of a tuning I did at the Ambassador Theater = in St. Louis in the 80's. I was hired by the promoter to tune a "B" for = the rock group, "Queen". I was about half way through the tuning and = here comes Freddie Mercury beginning a sound check practice. He was = very close to me tuning. I thought he would go away. I asked if he = would go away so I finish the tuning. He lashed out at me in = obscenities. This was before I even knew the music of the group. I = stopped tuning and went over to ask the promoter rep, who was a = beautiful young lady, to see if she could have some influence. He = lashed out in obscenities at her also. I was embarrassed for her. I = just continued the best I could, figuring that if they did not care how = the tuning sounded, neither did I. After the tuning I heard their hit = on the radio, "Bohemian Rhapsody", and I got hooked on their music. = Freddie Mercury later died from his Sex trans disease and I remained a = fan. Go figure. Bottom line, do the best you can and don't worry about = it. James Grebe Piano-Forte Tuning & Repair Creator of Handsome Hardwood Caster Cups (314) 608-4137 WWW.JamesGrebe.com 1526 Raspberry Lane Arnold, MO 63010 BECOME WHAT YOU BELIEVE! pianoman@accessus.net ----- Original Message -----=20 From: David Ilvedson=20 To: pianotech@ptg.org=20 Sent: Wednesday, November 10, 2004 6:34 PM Subject: Re: "should I stay or should I go?" You do the best you can in the situation. I'm in total agreement. = Another reason why I love my ETD. I know, if I have to, I can tune = every string to the ETD and the piano will sound pretty good. David I. ----- Original message ----------------------------------------> From: antares <antares@euronet.nl> To: Pianotech <pianotech@ptg.org> Received: Wed, 10 Nov 2004 23:18:19 +0100 Subject: Re: "should I stay or should I go?" On the other hand Dave Skolnik, Most of the time we have no choice but to grin and ignore. I used to get incredibly furious, swear at people, stamp my feet or = even walk away from the scene in terrible anger. And you know what? The years went by, and I am still tuning in the same conditions. And you know what? I don't care anymore. I ignore and=20 I grin. Andr=E9 Oorebeek On 10-nov-04, at 22:32, David Skolnik wrote: Quentin - There is no one answer when you are talking about theater, which, = for these purposes, includes concerts. Even if you are dealing with a = regular account, it can take a long time and a lot of work, to train the = people around you, or the people who create the schedule, before the = requirements for tuning become accepted and anticipated. And then, = sometimes, sh_t happens. A rehearsal goes late, last minute stagecraft, = etc. The best approach, I think, is to be bit anal when making the = original arrangements. Ask the scheduler if there is anything, as in = ANYTHING, else going on during the tuning time. Sometimes the scheduler = and maintenance, or stage crew, don't communicate so well. It's worth = double checking. =20 It is true how amazing it is that people (especially musicians) = don't make the connection between tuning and the need for silence, which = includes shuffling papers, whispering, or sometimes, breathing, but, on = the other hand, why should they know. There are times when the only = course is to ask someone to desist,,,as politely as possible. At other = times, again, preparing for performance, other people may have jobs that = have to get done. Then it becomes a matter of determining what level of = noise is essential for them to fulfill their responsibilities, and what = part of the usual noise can, in this case be reasonably suppressed. Regarding the 2 or 3 people chatting vs. 15 making noise, sometimes = the few can be more annoying, to me. A lot of the time it depends upon = the need. The 15 may have no choice but to carry on, to prepare for a = show, while the 2 or 3 could probably take the conversation somewhere = else. I will not hesitate to enlighten someone for a few offenses: Unnecessary conversation or laughter Singing- especially the note I'm tuning Whistling, ESPECIALLY THE NOTE I'M TUNING Jingling keys on a key ring No noise accepted for a recording session tuning. Otherwise, it's Show Business. David Skolnik At 05:44 PM 11/10/2004 +0100, you wrote: Hi Patrick, =20 This afternoon, I had to tune for a concert in a small hall. I tuned the piano this morning, and had to check it another time = when it was installed. People started installing the stage for the choir (nearly 50 singers = I think) just after I began checking everything. Some notes were a little bit out of tune, I had to tune them = correctly. People were trailing the stage "blocks" everywhere and shouting at = each other because they should have finished work sooner and people = wanted to go back home. I asked for silence, everything remained noisy all around me. I decided to... go ;-) =20 If they totally didn't care about my concentration and about what I = was doing, that's because they 'd probably think the piano was good as = it was. =20 and... But don't you think people should realize that making a good tuning = requires good conditions? =20 There is a difference between 2 or 3 people chatting and 15 persons = screaming and moving chairs and wood panels all around you while you're = tuning ! =20 I think I would have preferred 2 or 3 people discussing in a normal = way instead of this disturbing noises ! =20 Quentin friendly greetings from Andr=E9 Oorebeek "where Music is, no harm can be" ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/97/7c/66/df/attachment.htm ---------------------- multipart/alternative attachment--
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