---------------------- multipart/alternative attachment Andre, Most of us really appreciate your efforts in this regard. As far as who can sense what, it sort of reminds me of doing a good regulation on a piano and the pianist compliments me on the voicing I did! When I did NO voicing.Or I do a good voicing and they compliment me on the way the piano feels! I've learned since I've been at the university that a pianist's perceptions on what has been done to his/her instrument is amazingly dependent on how= the instrument responds. Which affects the way it's played. Which affects the tone he/she hears! JMHO! And I won't change it, either! :-) It's been proven to me too many times with the many artists I have to deal with here! Avery P.S. I will be ordering some of those punchings when they're available=20 here1 :-) At 11:27 AM 4/4/05, you wrote: >On 4-apr-05, at 9:28, Richard Moody wrote: > >>Then how else would you explain the improvemnt of touch and tone? >> >> >> >> >> >> >> >>I didn=92t hear any improvement in tone much less touch. I would like to= =20 >>see this demonstrated. Lets sit together in the audience and you tell me= =20 >>which notes have the special punching that I put in but you don=92t know= =20 >>where. Or you play that piano and tell me which notes have the special= =20 >>punching. Until then, this is another bogus hype to sell something that= =20 >>has no special merit. But if I am proven wrong I will give $100 to your= =20 >>favorite charity. ---ric >> >> > > >Well Richard Moody, then read the mail Stephen Birket just sent to the= list. > >(Dr Stephen Birkett, Associate Professor >Department of Systems Design Engineering >University of Waterloo, Waterloo ON Canada N2L 3G1 >Director, Waterloo Piano Systems Group >Associate Member, Piano Technician's Guild) > >He is quite enthusiastic about the Wurzen punching and his investigations= =20 >prove what I have said all along. >I will not any longer take part of the discussion because I have done my=20 >work. >I have brought these things into life and into the world. >What you guys want to do with it is your own business. >I speak for myself only when I say that I am extremely happy with my=20 >punchings and I know perfectly well what I am saying. > >In an earlier e-mail to the list, I have said that : > >quote >I think that I may say here that it should be clear, after all my=20 >contributions to this list, that I am not a bs'er , a fraud, or a fake=20 >story teller. >These front punchings make all the difference in regard to how a piano=20 >feels and sounds and they have actually changed and enriched my concepts=20 >of 'the making of tone'. It has however become clear that, in order to get= =20 >a distinguishable result from these punchings, the instrument has to meet= =20 >certain conditions >unquote > >If you nevertheless choose to call it "another bogus" then I feel sorry I= =20 >spent so much time on apparently nothing(?) > >Thank you very much. > >Andr=E9 Oorebeek > > ></blockquote></x-html> ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/a3/11/07/d9/attachment.htm ---------------------- multipart/alternative attachment--
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