---------------------- multipart/alternative attachment >Hello List and Phillip Ford who said: > > >String speaking length terminated on the rim? Now you've >completely lost me. Any possibility of some pictures? >In answer to my comment: "String spacing is by the holes on one side >and string speaking-length is terminated on the rim opposite." >Sorry, I didn't have my camera with me. Maybe the choice of the term >"rim" was unfortunate. OK. Imagine now that these agraffes are made >from a strip of channelled brass. Individual agraffes are cut from >this material. Holes (three, two or one) are drilled through one >"rim" or "side" or "upright" of this cut off piece of channel. This >is for string spacing. The other "rim or "side" or "upright" is only >as high as the centre of the three spacer holes opposite it. This is >where the speaking length of the string "terminates". Of course the >actual string continues to the hitch in one direction and to the >wrest pin in the other direction. Each agraffe is held in place by a >c/s brass wood screw, there being a counter-sunk hole drilled >through the base of the agraffe. >I know a picture is worth a thousand words, Phillip, but you've had >to put up with the words! :-) >Regards >Michael G.(UK) Thanks Michael. I think I got it. Perhaps the oldest form of bridge agraffe. I've never seen one of these. It sounds similar in concept to the agraffes on a Feurich that I have. The string termination is on a half round 'lip' with string spacing and down force on the lip provided by a conventional agraffe. I believe I have a picture of this around here somewhere. I'll send it along when I find it. Phil Ford ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/ee/d2/50/d4/attachment.htm ---------------------- multipart/alternative attachment--
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