This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi Michael, Yes in many ways the problem could be considered similar.However in the = case of the piano we are trying to get two and three strings to sing in = sympathy. The wolf on your cello is there due somethimes to a bad = string, or more likely in your case becuase of an inbalance of the tail, = finger board, tail piece, neck, and head stock. One or all may be = the culprit. A few years back I had my upright worked on by a bass = specialest. Spent two days watching him replace the fingerboard with ebony and tap = tap tapping and listening to the resonance of the above areas. Then he = would remove wood from the areas or add brass filled epoxy to get the = balance he wanted. Boy what a huge difference it made in the singing = quality of the instrument. I view this work in the same light as voicing hammers or perhaps belly = work. No ordinary factory mass produced piano is made with these ideas = in mind, just get them made and out the door. I think the same impedance issues may be involved in pianos as well, as = there are pianos that do not respond to pin tightening methods or = tapping to move the wear spot. ramblin on Joe Goss RPT Mother Goose Tools imatunr@srvinet.com www.mothergoosetools.com ----- Original Message -----=20 From: Michael Gamble=20 To: Paul Chick (Earthlink) ; pianotech@ptg.org=20 Sent: Monday, June 20, 2005 2:05 PM Subject: Re: Pitchlock Hello List and Paul C.=20 For those able to attend that class this must have been a day of = Revelations. (Not religion!) But for those unable to attend I wonder = what a "Pitchlock" is? Is it something like the "Wolf Arrester" I have = on my 'cello "C" string? Regards Michael G.(UK) ----- Original Message -----=20 From: Paul Chick (Earthlink)=20 To: 'Pianotech'=20 Sent: Monday, June 20, 2005 2:09 PM Subject: RE: Pitchlock =20 Subject: Pitchlock =20 Has anyone had experience with the pitchlock devices. It sounds = like something that would help with some wild bass strings, and maybe = even some false beating treble strings. However the startup cost is = pretty hefty. Not bad if it does what it says, but I thought I might = inquire from the list first. Any thoughts?? =20 Ed Carwithen John Day, OR =20 Ed The class on Pitchlock at the K C Institute demonstrated their use. = Attendees listened to the "before" and the "after" in the speaking = lengths, front and rear duplex. They work as claimed. =20 Paul C ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/a3/16/eb/56/attachment.htm ---------------------- multipart/alternative attachment--
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