post pitch-raise creep?

[Farrell]

I use a VT also Andrew, and I find that the upper end of your percent ranges 
work for me in the tenor and treble. However, I find that the bicord bass 
needs closer to 25% and for whatever reason - I certainly don't understand 
it - the monocord bass needs about 40%. I know, I've never heard of anyone 
using that much overpull in the low bass, but for whatever reason, if I 
don't, it'll come out flat. Strange.

Terry Farrell

----- Original Message ----- 
>I find I have to modify the overpull target percentages to fit the piano I 
>am working on.  Little pianos (upright) don't seem to like much overpull. 
>Concert grands on the other hand want a whole lot of overpull.  Typically I 
>find that 10 - 18 % works well on the bass bridge, wound wire and 20 -28 % 
>works well in the tenor and lower treble.   Generally switch to 30 - 38% in 
>the high treble, especially after the dampers stop.  Verituner BTW
>
> Andrew Anderson