I'm a smooth-pull tuner, applying slight impact only when appropriate. I feel the torque of the pin and overpull accordingly and make a diminishing series of + & - motions to set the pin and string with a final slight + motion to keep the front section of string length at a minutely higher tension than on the speaking length side of the counter bearing friction. A lower tension on this forward string segment would be more apt to allow this lower tension to creep across the counter bearing making for a less stable tuning, a final + lilt (nudging pin torque) braces the string better. As with moving or lifting a piano, apply force and increase effort until the desired motion is achieved, don't heave your body into it. I carry two stationary levers 9.5" & 11.5" and a Hale 10.5" with interchangeable heads for strut clearance. Which one I'll use depends on pin torque and clearance issues. For concert work I prefer the 9.5". -- Regards, Jon Page
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