Back at the drawing board while cosidering the desired rib dimensions: "assuming a soundboard with quartered sitka ribs - radiused and sized to support a known string bearing load- the piano is strung and up to tension so the board is loaded and at equalibrium." What is a good way to describe or include into rib design how much the board is displaced when set in motion by the strings? How important is it to rib design? A forte blow could displace a bass string by a couple mm at least depending on the hammer mass. Not certain but amplitude maybe should describe this? Not certain how to measure it. Is it reasonable to assume the board/rib will move a distance down and up that is equal to amplitude? Could it possibly move more? It probably will move somewhat less?? Does anyone include this sort of thing in rib design? Certainly the motion of the board is more complex than just down and up but it is simple for me to look at it this way. One thing that I have discovered by playing with numbers is that the available crown of a rib could be completely used up or even exceeded and the rib's fspl is not exceeded depending on its dimensions. So - if a rib has xmm of crown and 50% is taken up by the downbearing or string bearing load, in a static situation is it possible that additional rib motion due to the amplitude of the string become a sturctural issue? Seems to me it could. Gene
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