Kent, This is a letter that needs to be written very carefully, but perhaps not directly by you. The suggestion that someone made about getting a 3rd party (preferably, parties) make the complaint would certainly be preferable. Otherwise I can smell a lawyer wrapped in the folds of that drop just down stage left of the piano. Conflict-of-interest penalty flags will be flying all over the court room, particularly if you attach an unsolicited bid with your letter. Having their tech come down & sort things out with the complaining artist(s) (you can coach) will take the spot-light off you & put the onus on the seller/rebuilder to make the thing work. Getting a job from this may be like stepping in honey -- could be a few decent bucks there. However, stepping in the honey might be okay -- unless your foot is stuck in the hive. Good chance of getting stung on this one. Tread carefully. Otto ----- Original Message ----- From: "Kent Swafford" <kswafford@earthlink.net> To: "College and University Technicians" <caut@ptg.org> Sent: Sunday, September 07, 2003 2:37 AM Subject: Re: D > Thanks everyone for all the helpful replies. > > The unvarnished truth is more difficult than it ought to be, since a > letter from the rebuilder claims that the piano is suitable for any of > the world's finest concert stages, that the action parts were chosen to > perfectly match the piano, etc. So I will have to write a letter saying > more or less the opposite, that the piano isn't suitable and the parts > don't match. Sigh. > > The killer for me is the dampers, BTW. The piano doesn't sound right > with 3 extra open notes at the top -- too much sympathetic vibration > when playing the rest of the piano, and those notes themselves just > don't sound right being allowed to ring on. It's surprising how "wrong" > the piano sounds with F6, F#6, and G6 freely vibrating. I think > pianists will complain, and I'm not going to be the one who didn't tell > the hall managers. > > Gotta letter to write, > > Kent > > > > On Friday, September 5, 2003, at 10:56 PM, Ron Nossaman wrote: > > > > >> The question, of course, is, "What do I tell the customer?" > > > > The unvarnished truth. You report what is, devoid of how you think it > > likely became, stand by to answer specific questions resulting from, > > and offer appropriately priced corrective measures for, based on the > > realistic expectation of accomplishing same irrespective of what is, > > what was expected, what was promised, and what resulted from the > > previous iteration. The last guy's sins ain't your problem. > > > > If you get the job, you get it honestly. If you don't, you have lost > > it having told them exactly what they needed to know to incorrectly > > decide to take it elsewhere. > > > > Unfortunately, education (whether short or long term) doesn't often > > equate to good sense. > > > > Ron N > > > > _______________________________________________ > > caut list info: https://www.moypiano.com/resources/#archives > > > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives
This PTG archive page provided courtesy of Moy Piano Service, LLC