Michelle-
I make categories and then as the evaluation unfolds, details are more or
less complete according to the needs of the moment. (Not always good enough
because I always think of something else later) Whatever comes of this
conversation, I'll probably add that checklist to my small stack of papers in the pocket
of the toolcase.
If I've forgotten anything, we can blame it on Sunday morning sleepies.
Lisa Weller
p.s. Two things that have helped my student find problems-
Sesame Street's song "One of these things is not like the others" Yes the
teacher gets the dirty look regularly :-)
and the proverb, "Piano Techs like to see straight lines and even spaces."
LISA'S SHORT AND OH-SO-HANDY INSPECTION LIST
Usually, you'll know most of the answers after the first section.
General appearance and first impressions
name, serial# and country of origin
case appearance
scratches/damage
missing parts
color problems/mismatched parts
smell, how dirty, evidence of critters
what type of action
what type of flanges,springs and strings
glance around for new parts & strings
evidence of bad work from other techs
a general idea of age of piano and how worn out things are
impressions from a few chords and runs played
tuning-when and how far from pitch
playability
pedals
Playability
what can it still do
does it hurt you to play it
investigate unusual things
Strings/pinblock
what's been replaced/repaired
tuning pin condition/size
quality of stringing job/neatness of coils
pinblock fit and solidness
bass string tone
rust
tunability
tuning pin torque and evenness
string rendering
Bridges
original quality/cheapness
cracks
loose pins
separating from soundboard
see and hear how strings sit against bridge and pins
Plate
finish flaking
plate bolts all present and tight
general fit to case
hitchpins
aliquots in place
under string felt presence and quality
look for bits of felt shoved between strings near capo for evidence of
string/capo noise problems
Keys & key frame & key bed
what's been replaced
keytop condition
bushings/keybuttons
condition of leads
level and height
how flattened is the backrail cloth
condition of keypins
look for chewed up places or wood rot on a grand keyframe
condition of glidebolts
condition of keybed spring
condition of all the places where the keyframe touches
Action
what's been replaced and resulting damage (shredded backchecks from
bad shaping of hammer tails, etc.)
hammer condition
shape of knuckle
what still works/doesn't work as far as how much regulation had
deteriorated
condition of brackets, rails and screws
felt condition
leather condition
pinning
screws tight
smoothness of spoons and capstans
Dampers
what's been replaced
what works or not
age of felt and wires
guiderail
back action
how underlevers are attached (glued in or screwed in)
alignment of underlevers/timing on lift with pedal
pinning
leads
tray
pitman& levers
felt and leather
key end felt condition
Sostenuto
what works or not
condition of tabs
condition of rail and supports
Case & legs
finish age, type and condition
condition of hinges
fit of fallboard, lid and other movable parts
condition/presence of music desk
veneer problems
loose
missing
cracks
hardware
loose
missing
finish
legs
attached correctly and in correct location
cracks or previous repairs
bolts/screws not obstructing cheekblocks or keyframe
casters
matching
condition
what have they done to the floor
Pedal lyre
attached correctly
proper lyre braces attached correctly
separating of lyre parts and/or bottom of pedal box (check for hymnal
under pedals)
wear of dowels, felts and leather parts
check all pedals for function & follow problems
This PTG archive page provided courtesy of Moy Piano Service, LLC