I chose door number one, it doesn't matter ----- Original Message ----- From: "Fred Sturm" <fssturm@unm.edu> To: "College and University Technicians" <caut@ptg.org> Sent: Monday, December 06, 2004 3:00 PM Subject: Re: [CAUT] lacquer > On 12/6/04 7:52 AM, "Chris Solliday" <solliday@ptd.net> wrote: > > > Good "point" David and I think it is the solids within that we are trying to > > build up under the strike point that gives us the bang and other qualities > > associated with SSNY. There is no need for anything anywhere else in the > > hammer. Voicing with needles or adding keytop and acetone (if one has used > > acetone as a thinner with the lacquer to begin with) can get us where we > > need to be on stage quickly and easily. Happy accu-puncturing, Chris > > Solliday > So, Chris, are you saying that "you don't need anything elsewhere" > (meaning it doesn't make any difference, so why bother), or that not having > anything elsewhere actually gives better results than soaking the entire > hammer? If so, what's the difference? Greater range of color? > > Regards, > Fred Sturm > University of New Mexico > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives > >
This PTG archive page provided courtesy of Moy Piano Service, LLC