[CAUT] lacquer

[Chris Solliday]

Totally agree here
----- Original Message ----- 
From: "David Love" <davidlovepianos@comcast.net>
To: "'College and University Technicians'" <caut@ptg.org>
Sent: Monday, December 06, 2004 3:10 PM
Subject: RE: [CAUT] lacquer


> Just to clarify what I was saying. I soak the hammer from the top down
> to the top of the wood moulding.  It usually wicks out to the shoulders
> anyway, but the key area is underneath the crown.  
> 
> David Love
> davidlovepianos@comcast.net 
> 
> -----Original Message-----
> From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On Behalf Of
> Fred Sturm
> Sent: Monday, December 06, 2004 12:01 PM
> To: College and University Technicians
> Subject: Re: [CAUT] lacquer
> 
> On 12/6/04 7:52 AM, "Chris Solliday" <solliday@ptd.net> wrote:
> 
> > Good "point" David and I think it is the solids within that we are
> trying to
> > build up  under the strike point that gives us the bang and other
> qualities
> > associated with SSNY. There is no need for anything anywhere else in
> the
> > hammer. Voicing with needles or adding keytop and acetone (if one has
> used
> > acetone as a thinner with the lacquer to begin with) can get us where
> we
> > need to be on stage quickly and easily. Happy accu-puncturing, Chris
> > Solliday
>     So, Chris, are you saying that "you don't need anything elsewhere"
> (meaning it doesn't make any difference, so why bother), or that not
> having
> anything elsewhere actually gives better results than soaking the entire
> hammer? If so, what's the difference? Greater range of color?
> 
> Regards,
> Fred Sturm
> University of New Mexico
> 
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