On Feb 28, 2006, at 2:41 PM, Ron Nossaman wrote: > Thanks Fred, that's why I asked. Here, we get up in the 70s%RH > inside in Summer, and usually not much below 25% in Winter, though > it's been dryer this year. Winter brings the complaints about tonal > problems anywhere and everywhere from octave 5 up, and Summer > brings the magic and often dramatic sweetening of sound, > disappearance of killer octave attack "splatter", increased > sustain, and spontaneous healing of false beating trebles. With > drier wet cycles, there wouldn't be the contrast that makes the > yearly dry season complaints so obvious. I know we all grade on the > curve from lack of having experience at EVERYTHING possible. But > then plenty of my own brain cells haven't checked in for some time > now either. > > Ron N Hi Ron, I don't want anyone to make a lot of the opinion I expressed (pianos at 10% RH "sound just fine to me"). But I think I have enough experience listening to pianos in wetter climes (at nationals, etc.) that if below 20% meant a complete disaster, my ears/musical sense would complain. I'm not sure I'm the best judge, as I approach pianos as a pianist, meaning I adjust to what's there and make what I can of it. I don't have a lot of pre-conceptions that I want to have fulfilled. OTOH, there is a bottom line of resonance, power, sustain that I'd miss if it were really missing, at least I think so. My experience has led me to take with a grain of salt claims that flat boards and zero DB mean a piano is unusable. I don't find it so, personally. But I'm just one guy out here with my own limited experiences and acuity. Regards, Fred Sturm University of New Mexico fssturm@unm.edu
This PTG archive page provided courtesy of Moy Piano Service, LLC