Bill, Try massaging the strings with a very small brass rod that has a small groove cut in it. Massage both the speaking and non speaking segments right up the bridge pins. Don't use a heavy touch. Tim Coates On Mar 15, 2007, at 2:23 PM, maxpiano wrote: > In a performance/theater venue, I service a Yamaha CFIII that has > some fast false beat issues on 2-3 keys in the top octave and very > few false beats in the rest of the piano. I am told this was the > piano Andre Watt used during his (brief?) departure from the > Steinway Artist fold some 15 years ago. Nothing I have tried so far > on D#7 and F7 has worked, such as tapping the bridge pins. The > beats do not respond to pushing against the bridge pins with a > screwdriver, so I am assuming it is not an issue of loose bridge pins. > > George Winston is to be there a week from tomorrow. This will be > about the fourth time I have tuned this piano for his concerts. He > complains about unisons in the treble, and doesn't seem to know how > to sort out the difference between bad unisons and false beats. I > get the impression he is not open to the suggestion that false > beats are par for the course up there, and he wants all the focus > he can get at the top. He has the habit of carrying a bunch of > rubber mutes with him and laying them next to the tuning pins > wherever he detects a bad unison, both before the concert after he > has practiced, and during the show for touch-up at intermission. > Interesting, at intermission there may be some hairy unisons in the > tenor/low treble with no mutes laid down, but a proliferation of > them by the top octave! > > I am wondering if it would help, when I go to prepare the piano a > week from today, a day ahead of the concert (I'll be touching it up > the afternoon of the concert) if I would go prepared with emery > cloth strips to shoeshine the capo bar on the affected notes. I > trust I could get the strings settled down again after the > loosening. I have also thought of Roger Jolly's suggestion of > taking the rear end of a coil lifter tool (the 3 notches for > aligning strings), setting it onto the 3 strings of a unison and > driving it sideways and back, but I don't want to risk breaking > strings. > > Any advice or other suggestions for quieting the false beats in the > top octave? > > Bill Maxim, RPT > Columbia, SC
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