Hi Jon I just took a look at the Spurlock jig along with the directions for use. http://www.spurlocktools.com/HTMLobj-423/underleverjig2.pdf Interesting enough the paragraph under Theory clearly warns against using the capstans for adjusting tray lift, and tho the reason is different (Spurlock points to the damper stop rail, Yamaha points to the problem I've related) the solution presented is essentially the same, tho accomplished slightly differently. Spurlock wants a straight line for the damper levers as a starting point... assumes good even keyend felt thickness and proper key leveling, even rest cushion etc... Yamaha makes the same assumption but accomplishes the straight line using the tray itself and capstans as I described instead of jacking up the the damper levels with a jig. There is an extra step as far as I can see in the Yamaha way... namely leveling the capstans. When it comes down to it... I'm not sure the capstans are really all that good an idea outside of the ease of adjustment for tray lift thing... which carries with it the possibilities of changing key timing and the problem Spurlock points out with the stop rail. Ok, ok... I'll be the first to say that if the instrument is very well regulated then a few tweaks are not going to cause any major problems... but instruments get tweaked a lot by folks who dont see consequences of what they are doing... often enough by folks what dont know what they are doing at all. Anyways... thats the reason I dont use capstans for tray lift adjustment. If I adjust them... its to address timing...which means I'm in for a tray lift regulation afterwards and the rest of it. But I dont really see that as a problem. Interesting discussion, and the views expressed have exposed me to a couple perspectives I haven't looked at closely for a while. Cheers RicB
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