99.9% of the people, don't care. As long as it sounds good to them, and they paid a price they like, thay are satisfied. Conrad, I believe I will need a double order of your oversize suits for this one. LOL ----- Original Message ----- From: "Richard Brekne" <ricb at pianostemmer.no> To: <caut at ptg.org> Sent: Sunday, March 16, 2008 9:36 AM Subject: [CAUT] electronic tuning device preference? > Yes he / she will indeed do so. And for the more accomplished in our > trade I would submit this is one of the advantages of an aural tuner over > an ETD. Tho again... the level of precision we (I at least) are talking > about is well beyond any discussion of what is way more then acceptable as > an excellent concert tuning. This <<inconsistancy>> (at this level of > work at least) is where human intuition and creativity takes over. > Whether that matters significantly or not to the pianist, the audience, or > anyone but the tuner him/her self is another question. My take is that in > 99.8% of the time... a high level tuning is going to be perfectly ok > regardless of whether or not these <<inconsistancies>> are applied or not, > and that the remainder of the time it will probably be a tossup as to > which approach will be successful for any given pianist. > > Cheers > RicB > > > an Aural tuner has the ability > >to colour a tuning in a fashion not attainable by an ETD tuning. I > >would go so far as to say that unless the final pass is tweaked > >strictly by ear... an ETD tuning has no chance of such coloring." > > I submit the aural tuner will add colour everytime with > inconsistency...;-] > > David Ilvedson, RPT > Pacifica, CA 94044 > >
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