On May 6, 2010, at 1:33 PM, Ed Sutton wrote: > You might try fidgeting with the keyframe stop screw. > Perhaps there is a point of travel which can give you some of the > sound you want, but not buzz the dampers too much. Yes, and that point of travel is where I don't miss a string, where all strings are always struck. I have one of the Ds under my care set up that way, and it doesn't have the problem. I am gravitating to just doing that as a matter of policy. One of my other Ds had had that problem in a fairly obvious way for some time, but I was in a bit of denial about it. It was the older one in our recital hall, and needed new dampers - and action parts in general, had the old hammers with too short tails among other issues. So I finally did the work last summer, and, well, the damper issue remained, even with brand new felt. I thought fussing with them would ease the problem. I have fussed a few times when I had the opportunity. I guess I have made improvements, but the problem is still there and quite apparent at times. I have been stubborn about it because I do like to have that change of timbre moving from three strings to two, along with u c voicing. It gives a much broader palette to work with. But I am about ready to throw in the towel. Regards, Fred Sturm fssturm at unm.edu "I am only interested in music that is better than it can be played." Schnabel
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