John Peters writes; > I also just worked on a Hallet & Davis 48...a 6' (?) grand that had > agraffes attached to the bridge! I don't recall ever noticing that > design before.. My first piano, (my mothers 1889 Hallet & Davis upright, faux rosewood finish, solid maple, no veneer,), had agraffes on the bridge, but not regular agraffes, these things had the string entrance and exit angles set so that every other note was positive in its bearing, and the others were negative, by a whole lot, like 3/16" difference between the strings as the came off the bridge. The soundboard was absolutly flat, and the piano was incredibly stable. The sound is not brilliant, but I really don't know what they were striving for at the time. regards, Ed Foote
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