> I know I am probably in the minority here but I rarely if ever > overpull the pitch during a pitch raise. If the piano is way > off, say -100 cents, I will raise to A440 on the first pass. > My feeling is the idea of overshooting +25% of pitch > change leaves me with a piano that I have to lower on the second > pass and I have a phobia towards broken strings. > > David ilvedson, RPT > Pacifica, CA > Pacifica, CA Your post brings back the memory of a tuning I did very early on. I was working in a music store on an old upright that was about 150 cents flat. The store was a little afraid to bring it up to pitch so I was instructed to tune it a half step flat. This was before the Accutuner had FAC and the expanded range so I decided to tune by offsetting the note I was tuning on the Accutuner. Guess what? I got confused and set the machine for the wrong note and tuned the piano in several passes a half step sharp instead of flat. Not one single string broke and the piano sounded very good. The piano was sold to a family where the child was studying Suzzuki method so I had to bring the piano back down to A-440 and the most interesting thing I noted was that the bass strings which had been quite dead before I started, now sounded very nice. This is not a procedure I would like to try again but I do not believe your fears of overpulling the piano are justified. Quite often I find that the top 1 or 2 notes on many pianos are 100 to 200 cents sharp even though the rest of the piano has been a little flat. There are a lot of tuners who cant hear those top notes. I agree that if the piano is 100 cents flat, it is better it just pull it to A-400 on the first pass because it going to take 3 passes to make it sound right anyway. The second pass I like to use the pitch raise calculator in the Accutuner followed by the final standard tuning. Also I tell the customer that it should be tuned again in 3 months because the piano will settle some due to the change of tension. Norm Barrett
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