Wim en Debby wrote: > Hi List, > I read some of the reactions and l thought l could ad something to this. I > once tuned a piano of a concert pianist. It had a lot of broken strings too. > In that case it was in the trebble. I never knew how it was possible to > break so many strings, untill l read Reibeholz' book " Das regulieren von > Steinway & Sons klaviermechaniken und deren reparaturen". I found out that > the strikingpoint of a hammer is very important. When the hammer hits the > string a little too high or too low from the strikingpoint it can cause > broken strings (cuz of the false vibrations). (In case of Steinway some have > a regulationscrew in the right block to adjust the strikingpoint). Now, l > dont know if this causes the broken bass strings in the yamaha-piano > mentioned a couple a days ago or in the churchpiano's mentioned yesterday > but l hope I have added something to solve these problems. > Wim > > Wim Vermeyen > Wim's Piano Service > wim.vermeyen@advalvas.be --------------------------------------------- Wim, Thanks for your comments. I'm wondering, though, if there is any more information to go with this observation. Hammer strike point is such a variable thing. It varies quite a lot, both within a given piano and from piano to piano. And it is so frequently "off" in Steinway grands -- especially within the 5th and 6th octaves -- I should think they would be constantly plagued with broken strings, yet they are not. Even with their current practice -- in the US, I can't speak for Hamburg built instruments -- of using fiber reinforced plastic hammers they don't seem to have many broken string problems. Regards, Del
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