I know you have a good point. I do not do this all the time. It gets so yucky sometimes with these old uprights. I know many techs will not even service them (ethics?). You have a piano owner that just bought this old rat trap for $200 and they want it tuned. So you go. Then you pick away at the darned thing, sometimes carefully positioning a finger adjacent to the left side of the hammer for C5, after spending 3 minutes carefully calculating the deflection angle required to exactly send the hammer - that, left to its own wanderings, will hit two strings of B4 and only the left string of C5 - onto the ALL three strings of C5 (just one example of the things that will slow you down and you do not have something easily identifiable that needs fixing - keeping in mind if they spent $200 for the piano, hammer alignment is not likely high on their list - there are many more similar things). Do this a few times and you have your 10 minutes (or much more) for 10 dollars. Keeping in mind the $200 piano customer, it can be kinda sticky at times to stop 1/4 way through the tuning to tell the piano owner that it will be $5 to glue this hammer back on. And 1/2 way through the tuning to say it will cost $3 to glue the jack for A4 back on and 3/4 way through the tuning, it will be $18 to re-install the damper spoon on B6 that popped out......oh, and because I need to take the action out, we will need to spend $50 to replace the bridal straps........ad nausium. You know where I am going with this. It's just frustration. I feel like I gotta do something! I actually only do it once in a while when I have someone on the phone that is a would-be new client that sounds like they will pay for a tuning but not a pitch raise, and certainly not anything else! After all, all the keys work......usually. I figure they will likely call someone else. On the few occassions when I did get the tuning, if the piano was actually OK, I just charge my normal fee - I do not volunteer anything, just hand them the bill for the normal amount. If they say anything, I just say it tuned up just fine and it didn't take as long as usual and that is my fee. No one has ever argued (only happend a couple times). Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Clyde Hollinger" <cedel@supernet.com> To: <pianotech@ptg.org> Sent: Monday, September 11, 2000 7:30 AM Subject: Re: price raising > Terry, > > I don't think you should give a discount for the worst ones, but charging a > premium doesn't seem right to me, either. Shouldn't you charge for the work you > actually do? Why not keep your tuning price the same for all pianos, then add > extra only when you do extra work? To be sure, you should be compensated for > all the work you do. > > I suggest looking at it from the client's point of view. Anyone should be able > to understand paying an extra separate charge for additional needed repairs, but > if you tuned for two neighbors and charged the one $10 more simply because they > had an old upright, your ethics could be in question. > > Along that line, I had a client one time whose spinet player piano always took > me substantially longer to tune. I informed them the next tuning would cost 25% > more, and told them why. We parted amicably, and I've never been back, and I'm > happy about that. > > Regards, > Clyde > > Farrell wrote: > > > I charge $10 more > > for old uprights because I figure I will spend at least 10 minutes gluing a > > few hammers back on or the like. If I charged $1 per key, I would be > > charging less than for the old beater than for a newer piano - I would be > > giving a discount for the worst ones! NO WAY! ;-) > > >
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