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If you're going to get involved with concert work, particularly that =
all-important tuning & touch-up just before the performance, you had =
better know how to splice a string. Tuning stability and evenness of =
tone are very important, at least for the duration of the performance. =
Yes, strings have broken within the last 10 minutes before the curtain =
rises, and the last thing you would want to do then is try to stabilize =
a new string and voice the note to match the others. Besides, in the =
case of wound strings, a replacement would have to be ordered in from =
somewhere unless you have with you a set of wound strings for that =
particular model of piano. (Universal bass strings and concert pianos =
don't mix tonally.) Splicing the string will at least get the piano =
through the performance. Afterwards, you can worry about putting in the =
new string.
Z! Reinhardt RPT
Ann Arbor MI
diskladame@provide.net
----- Original Message -----=20
From: Jon Page=20
To: pianotech@ptg.org=20
Sent: Thursday, August 23, 2001 9:56 PM
Subject: Re: Knots to you
At 09:26 PM 08/23/2001 -0400, you wrote:
Would it not be much more practical to just replace the string with =
new wire?=20
::snip::
Roy Czekay,=20
Milwaukee=20
On a grand. The cosmetic appearance is maintained by not having a =
shiny wire
amongst the lot. There is less follow-up tuning due to less wire =
stretching (if you
compress the knot sufficiently during tensioning). No change in tone =
either from
new wire.
::snip::
Splices have a place in your arsenal,
Jon Page, piano technician
Harwich Port, Cape Cod, Mass.
mailto:jon.page@verizon.net
http://www.stanwoodpiano.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~=20
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