This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment If you're going to get involved with concert work, particularly that = all-important tuning & touch-up just before the performance, you had = better know how to splice a string. Tuning stability and evenness of = tone are very important, at least for the duration of the performance. = Yes, strings have broken within the last 10 minutes before the curtain = rises, and the last thing you would want to do then is try to stabilize = a new string and voice the note to match the others. Besides, in the = case of wound strings, a replacement would have to be ordered in from = somewhere unless you have with you a set of wound strings for that = particular model of piano. (Universal bass strings and concert pianos = don't mix tonally.) Splicing the string will at least get the piano = through the performance. Afterwards, you can worry about putting in the = new string. Z! Reinhardt RPT Ann Arbor MI diskladame@provide.net ----- Original Message -----=20 From: Jon Page=20 To: pianotech@ptg.org=20 Sent: Thursday, August 23, 2001 9:56 PM Subject: Re: Knots to you At 09:26 PM 08/23/2001 -0400, you wrote: Would it not be much more practical to just replace the string with = new wire?=20 ::snip:: Roy Czekay,=20 Milwaukee=20 On a grand. The cosmetic appearance is maintained by not having a = shiny wire amongst the lot. There is less follow-up tuning due to less wire = stretching (if you compress the knot sufficiently during tensioning). No change in tone = either from new wire. ::snip:: Splices have a place in your arsenal, Jon Page, piano technician Harwich Port, Cape Cod, Mass. mailto:jon.page@verizon.net http://www.stanwoodpiano.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/17/36/a0/8d/attachment.htm ---------------------- multipart/alternative attachment--
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