Until the problem is solved I would suggest a strip of duct tape over the hitchpins. Yes, it might leave a bit of residue... David I. On 27 Jan 2001, at 20:10, jolly roger wrote: > Hi Bill, > The problem is probably the player riding the damper pedal, > which > you have little chance of correcting. Suggesting that it's her > playing will only inflame her. Get Al Sanderson, Danny at GC Strings > to rescale to cope with the problem. restring the bass. YC Strings are > nothing to write home about, so it would significantly improve the > piano. When you restring carefull inspect both the state of the bridge > pins and the notching. Roger > > > At 12:12 PM 1/27/01 -0500, you wrote: > > > > List, > > > > Yes, it's true and I need some opinions on what to do about it. It > > is a Young Chang Grand model G-185, only a few years old. It is > > meticulously cared for but early in it's service, the pianist at > > this, shall we say, "spirit filled" church complained of bass > > strings breaking and shooting out of the piano. > > > > I have tried all of the usual. I filed the hammers. A monitor > > feeds back sound to the pianist. When I explained to the church > > directors that it is the "vigorous" style of playing that sometimes > > causes strings to break, the pianist resigned. Things were OK for a > > while but now there is a young lady who is firing scuds at the > > congregation faster than I can get there to collect them, get them > > duplicated and replace them. > > > > She is quite upset and beside herself. She refuses to believe that > > it is > the > > > > *way* the piano is played that is causing this. She claims that she > > has played the piano "all her life" and has never seen or even heard > > of this happening. The piano has a string cover which she yanks out > > and throws in the corner. She also says she has never played a > > piano with a "blanket" in it and just "couldn't" play with it in > > there. I have firmly insisted > that at > > > > this point, it is a matter of public safety and won't have any > > effect on > the > > sound. > > > > I am thinking that these wound strings must have particularly high > tension. > > > > Does anyone know if this is so? Over the years I have heard of > > other such instances that were cured by replacing the wound strings > > with a set of lighter gauged, "happy" strings. It would seem to me > > that a lower tension would solve the problem but in reading the > > recent post about "replacement strings", I am confused. Some of > > these strings have been breaking at the bass bridge termination > > point rather than the agraffe. That seems very unusual to me. > > > > Should the manufacturer supply a new set of wound strings and if so, > > should they be a set designed for lower tension? I presume that > > heavier gauged, higher tension strings provide a bigger, bolder > > sound. What effect would lower tension have? Just as a theoretical > > question, would tuning the instrument to a lower pitch, say 100 > > cents lower prevent this from > happening > > (with the same gauge but a *new* set of strings)? (I do not view > > this as > an > > option, just a possibility that might work in some other > > circumstance). (I also would not even consider altering the > > regulation to deliberately > produce > > less power). > > > > It is also interesting to note that to date, only wound strings have > broken, > > no plain wire. > > > > Bill Bremmer RPT > > Madison, Wisconsin > > > > David Ilvedson, RPT
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