>...So what´s the deal with the holy pitch?... >...What do other people think?... >Kristinn "Psychotuner" Leifsson... Kristinn, List, A couple of ideas I have is some folks don't want to go back and forth, one night one pitch, next night, another pitch. Stability of the tunings might be perceived as an issue in doing such changes. If the pitch was maintained at one location, such as A440 +/-, I don't feel it would necessarily be a big deal for most tuners to put it there. Another angle might be some folks feelings that this is injurious/unnecessary wear & tear to an instrument. These things could just be some excuses to get out of additional work, or could have some validity depending on who's involved. I personally don't recall ever being asked to tune a piano at any specific pitch location (other than A440) in my entire career of 20 + years for any orchestra or recital activity. On the other hand, I have been asked to tune a piano at lower pitches, as much as -100 cents (half step), in personal situations. Since you were primarily interested in the principle of the thing, Kristinn, I wouldn't hesitate to tune for an orchestra/recital situation to any of these pitches discussed when authorized by the personnel in charge, and a disclaimer of some sorts was given by me of the above mentioned items, and as to the recognized standard adopted by a resolution at the Piano Technicians Guild convention in Las Vegas, Nevada, July 23, 1986. Keith McGavern Registered Piano Technician Oklahoma Chapter 731 Piano Technicians Guild USA
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