>I just had an experience with a pipe >organ which was recently tuned. The pitch was just >above A-443. I double checked this with a spare fork >and with the digital piano in the church. All >confirmed my initial finding. Really sharp. Of >course, the choir director loves to play duets. The >piano they use is a 25? year old Kawai 300 grand. My >question is this: In a situation like this do we just >go ahead and tune the piano that sharp informing the >church they will have to tune it again and pay for any >string breakage? How sharp is too sharp? The organ >is almost new and pitch was not a problem prior to >this. How much slack do we cut pipe organ tuners? >Thanks, > Greg Hollister RPT Hi Greg, The situation here is that pipe organs are tremendously unstable instruments, with metal and wooden pipes responding at different rates, and in different directions to temperature and humidity swings. Organ tuners know that an organ that is nominally fifteen cents sharp today, could just as easily be fifteen cents flat next week, then sharp again the week after. That being the case, they tend to make minimal base pitch changes when tuning, and clean it up overall at a pitch that will hopefully average out around A-440 during these climate swings. Since the piano is so very much more stable than the organ, it doesn't make a lot of sense to me to compromise the piano to the organ. It's a moving target. Best to center the piano at 440, and let the organ pitch fluctuate around it day by day. That way, if the organ tuner guessed right, the two instruments will be more nearly, and more often in tune than with any other method. It's kind of like a broken clock being right twice a day, only in this case the piano is the one that's right. Be warned, however, that this is a VERY tough concept to get across to the administration. They know organs cost much more to tune than do pianos, so the organ must be the one that's "correct" - whatever the pitch is this week. Ron N
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