Mark, Where do you get these little Abralon wonders? Greg bases-loaded@juno.com wrote: > HI Terry - > > Any place where one grit's scratch pattern did not get completely > replaced by the succeeding grit's pattern, will show up as a slightly > hazy spot in your rubbed out topcoat. In other words, when you finished > with the 800, there may have some 400 scratches that didn't get replaced > by the finer 600 grit, and the 800 didn't completely remove them either. > That would be my best guess, although there are other possibilities, of > course. > > I use a similar method of 400, then 600, but I only go to 800 if it as a > filled pore satin finish. Otherwise, I go from 600 to the gray > scotchbrite, and usually finish up with 4/0 wool. I use both the > scotchbrite and the wool with some rubbing lubricant (wool lube, wool > wax, Murphy's Oil Soap, etc). I think it helps produce a more even > sheen, and a slightly higher one than using them dry. Finishing with the > gray pad is certainly fine, but will be slightly flatter in appearance > than moving up to 4/0 wool. > > As far as fixing your milky spot, you will have to go back to the grit > required to bring that section back up, then to the successively finer > grits and to the gray pad to match the sheen that you have established in > the surrounding area. > > I am more and more finding myself using the Abralon pads in the rub-out > phase. They are circular pads meant for a random orbit sander, and in > fact I do sometimes use them that way, esp. to level the big lid. They > come in grits of 500, 1000, 2000, and 4000 (pretty sure). I have mostly > been using them by hand on a flat chunk of wood as a final pass to > produce an extremely even scratch pattern. They are pretty amazing in > that you just rinse them out and use them over and over again. I have > literally rubbed out the last two grands with one pad! > > There's something new around every corner. > > Mark Potter > bases-loaded@juno.com > > On Wed, 16 May 2001 08:26:20 -0400 "Farrell" <mfarrel2@tampabay.rr.com> > writes: > > Hi Mark. My first PSL piano - after a lot of sanding orange peel - > > has > > turned out quite nice. One question regarding the final rub-down for > > a satin > > finish. I sanded through with 400 grit fre-cut gold, followed by > > 600, and > > then 800 grit. Then I rubbed it down with the medium (gray - 400 > > grit type) > > 3M Scotch-Bright pad. Most of it looks real good, but some areas > > (maybe > > where I rubbed a little harder) have a bit of a milky appearance. It > > is > > definately not the clear finish that is milky - it was very clear > > before > > sanding - but rather a bit of a milky haze apparently from the final > > rub-out > > with the Scotch-Bright pad. Any ideas how to fix? How do you do your > > final > > satin rub-outs on the Oxford PSL? > > > > ----- Original Message ----- > > From: <bases-loaded@juno.com> > > To: <pianotech@ptg.org> > > Sent: Wednesday, May 16, 2001 8:13 AM > > Subject: Re: 3M sandpaper > > > > > > Hi Greg - > > > > I have used the 216U paper you refer to exclusively for the last 4 > > pianos > > I have refinished, and I find it to easily be the best paper I have > > ever > > used. I also have used Oxford's Premium Spray Lacquer on many > > occasions > > and have not had the trouble that you experienced. I have found > > that it > > can be sanded safely, although somewhat gently, after a couple hours > > with > > no problem whatsoever. Rubbing out after the final coats, though, > > is > > another matter. At least a week is preferred, and two is even > > better, > > IMHO. > > > > I can only surmise that either: > > > > 1. the coat you applied was extremely heavy, in less than ideal > > conditions, and still had a soft belly after 24 hours; > > 2. There was a contaminant left on the board that didn't allow the > > PSL > > to dry properly; > > 3. You are pushing down way too hard when sanding. > > > > It is a good idea when sanding finishes between coats with dry paper > > to > > keep a piece of T-shirt handy to wipe off any accumulation on the > > paper > > every so often. It will flake right off and prevent any build-up > > that > > will compromise your paper's ability to provide a good, even scratch > > pattern. For the same reasons, wiping off the surface you are > > sanding of > > accumulated sanding dust is also beneficial. > > > > Mark Potter > > bases-loaded@juno.com > > > > On Wed, 16 May 2001 00:28:36 -0400 Greg Newell > > <gnewell@ameritech.net> > > writes: > > > Dear Lists, > > > Not too terribly recently I read of the benefits of 3M's > > fre-cut > > > gold sand paper. I recently bought some from Jeff Jewitt who told > > me > > > to > > > use it between coats of Oxford Premium spray lacquer. I found that > > > it > > > began to remove some material and that material then balled up and > > > began > > > to cut grooves in my new soundboard finish! YIKES! I waited at > > least > > > 24 > > > hrs before sanding between coats. Should i have waited longer? Is > > > there > > > a better way to use this highly acclaimed product? Are there > > > different > > > uses for this paper rather than between coats? I assume that it is > > > used > > > dry as it is a paper backing. Is that right? All was saved with a > > > scotchbrite pad and some careful rubbing. I applied the decal and > > am > > > now > > > ready at my next opportunity to spray over it. So far it looks > > > great! > > > > > > Greg > > > -- > > > Greg Newell > > > Greg's Piano Forté > > > 12970 Harlon Ave. > > > Lakewood, Ohio 44107 > > > 216-226-3791 > > > mailto:gnewell@ameritech.net > > > > > > > > > > > > > -- Greg Newell Greg's Piano Forté 12970 Harlon Ave. Lakewood, Ohio 44107 216-226-3791 mailto:gnewell@ameritech.net
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