That is one of the first things I will check when I go back. I wish I had thought of that when I was there. When I originally read Joe's post, I thought "no, not likely that because it gets softer when I use the shift". But maybe something is in there that is holding the hammer position just a bit over such that the string is contacting the edge of the groove and you get a muffled tone, but when the shift is used you get a more muffled tone. That would also explain the few nice bright hammers in the midst of the marshmallow sounding ones - those would be ones with loose action centers????? Thanks for the suggestions - sometimes it takes the same one twice to register! Terry Farrell ----- Original Message ----- From: "Tom Cole" <tcole@cruzio.com> To: <pianotech@ptg.org> Sent: Friday, August 31, 2001 2:39 AM Subject: Re: "Loss of Tone" Complaint > Terry, > > If this loss of tone happened suddenly, I would want to investigate what > Joe Goss mentioned, that maybe the strings are no longer being contacted > by the grooved part of the hammers. Somebody might have stepped on the > shift pedal and then a coin or something fell down between the key frame > and that cloth-covered block thingee. IOW, the action shifted and > couldn't shift back. If the hammers haven't been filed in a long time, > the tone change on shift can be pretty dramatic. > > Tom Cole > > Farrell wrote: > > > > I tuned a 1928 Conover 5' 8" grand yesterday. I have now tuned it three > > times. They tune once a year. When making the appt., the lady asked me to > > clean the piano interior because they had made dust while installing tile on > > the floor AND because she noticed a loss of piano tone. Actually, she told > > me about the loss of tone thing while on the car phone, so I did not want to > > have a long conversation - otherwise I may have pointed out that a little > > dust just ain't gonna kill a piano. > > > > Cleaned and tuned piano. The piano appears to suffer from a "loss of tone" > > (after getting dust out - so we know that was not it!!)! This piano appears > > to be all original with original hammers. It is in just about as good > > condition as any 73 year old all original piano will ever be. It functions > > amazingly well (it's overall condition is about average for a 40 - 50 year > > old piano). The tone is REAL MELLOW. It's like someone put marshmallows > > (fresh) on in place of the hammers. The scale is four sections. The top two > > are very quiet and super mellow, the bottom two are louder, but not loud, > > and mellow, but not as muffled as the top two. > > > > The soundboard is flat or has just a bit of crown. Downbearing seems real > > good (only had my rocker gauge with me yesterday - it did not seem > > excessive, although there was plenty). > > > > Even in the top two sections, there are a couple-few notes that are a lot > > louder and crisper. It's almost like all the hammers went soft, but a couple > > had nail polish spilled on them. > > > > Anyway, my overall question is why is this piano like this (I realize that > > is a very nebulous question), and assuming the hammers are the primary cause > > (I plucked and it seems as though the hammers are the culprit - kinda hard > > to tell though because I cannot pluck as hard as a hammer can hit!) - what > > happens to an old hammer to make it soft? > > > > I am used to old hammers getting really hard - but an old one getting soft? > > When you use the una-corda everything gets super-duper-incredibly mellow. > > Would chemical treatment likely be of value here? I have never hardened a > > hammer - always steaming or needling. > > > > And now a more global question. What happens to quality hammers as they age? > > They start out at some level of hardness, but also they will have a good > > deal of tension across the strike point. I suppose this tension is > > responsible for something like "a full development of a pleasing bouquet of > > partials"? Even if you harden, or soften, or whatever to your liking a 50 or > > 70 year-old hammer, I can only assume that you will never get it back to how > > it sounded when new (maybe a half-bouquet at best?). It's gotta loose > > ALL/most the tension or whatever after a couple/few decades. So, would it > > not be the case that in almost any situation, even if a piano owner > > generally likes the tone of a piano (hammers look pretty good, but they are > > 50 years old), that it will likely sound better with new hammers (I realize, > > not that most people would notice)? What can anyone tell me about how a > > hammer ages? > > > > Thanks big time. > > > > Terry Farrell
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