----- Original Message ----- From: "Phillip L Ford" <fordpiano@lycos.com> To: <pianotech@ptg.org> Sent: February 13, 2002 5:34 PM Subject: Orthotropic Soundboard (was Laminated Soundboard Ribs) > > Another aspect of this is that some people seem to feel that there is something > magical about the board having orthotropic properties and that wood is the > choice for musical instrument boards partly because it is orthotropic. I'm > unconvinced about this. I think a soundboard needs to have high stiffness to > density and some level of internal damping. When pianos were developed the > only material available with these properties was wood (softwood). Now it just > so happens that this material is orthotropic. Some people have concluded that > this means that the soundboard needs to be orthotropic. Perhaps they're right > but I'm unconvinced. I've seen pianos with laminated boards (which I've taken > to be essentially isotropic) that seem to serve the same function (whether they > do it as well as an orthotropic board is still an open question). Ron Overs's piano > which he displayed in Reno is an example. I don't know enough about the way > the board is constructed to know if it is truly isotropic. Perhaps Ron can comment > on that. There is no rule that requires that a laminated soundboard panel be isotropic. The designer of the laminated soundboard panel has even more options. It can be whatever the designer wants it to be. I remain convinced that ultimately the best sounding pianos will use laminated soundboards that may or may not be made out of wood or wood products. Del
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