Verituner: more opinions

David Love davidlovepianos@earthlink.net
Thu, 14 Feb 2002 22:13:02 -0800


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I purchased the Verituner recently and have used it now for about a =
dozen tunings.  I cannot compare it to the RCT or Tunelab, as I never =
used them, but I will say that the VT does a marvelous job when compared =
to the SAT III.  It's ability to measure (or premeasure) any or all =
notes and up to eight partials of each note in order to calculate an =
inharmonicity curve resolves many of the complaints I had about the SAT =
III which, unless monitored very closely, sometimes delivered a less =
than satisfactory tuning to my ear.  Though I had learned to work with =
the SAT III very effectively by use of the DOB, two page memory for one =
piano, and direct interval tuning, I find the VT to be much easier with =
more predictable results.  =20

The complaints listed earlier I find largely unwarranted.  One =
suggestion was that the VT required a two pass tuning.  That is not =
true.  You can premeasure any sequence of notes ( though it is suggested =
you always start with A4) including notes in troublesome transition =
areas and the machine will use the data to create a curve with smooth =
transitions.  Or, as I believe Ron Koval mentioned, you can measure the =
whole piano before you start tuning.  Not necessary, but It takes about =
5 minutes. =20

Another complaint was about the pitch raise function, or coarse tuning =
mode as it is called.  The coarse tuning system requires lining up two =
arrows rather than stopping a spinner and is a bit awkward at first.  =
When used as a genuine first pass rough pitch raise, it does a perfectly =
adequate job.  Moreover, you can set up the display with three different =
levels of overpull which can appear simultaneously on the screen.  As =
you progress through the scale and want to change the degree of overpull =
depending on the section of the piano, you can just aim for the =
appropriate indicator.  These settings are preset to 10/30/36 % overpull =
but can be adjusted to your own preference.  I set mine at 15/30/36 =
which seems to work a little better for me.  I pulled a small Yamaha =
today which ranged from 30c flat in the bass to 80c flat in the treble.  =
One rough pass, one fine tuning and the fine tuning required very small =
adjustments. =20

The display itself is perfectly readable and gives a lot of data.  The =
large flat or sharp sign that appears if the spinner is moving too fast =
to see I found helpful. =20

You can adjust the stretch "style" from clean (narrow) to expanded as =
with the SAT III DOB, but unlike the SAT III, changing the stretch style =
does not preclude the machine using the inharmonicity readings to =
calculate an acceptable curve.  My experience with the DOB is that you =
can actually put the piano a bit out of tune by selecting an =
inappropriate amount of stretch.  I have not experimented fully with the =
"style" settings in the VT, but my impression is that the machine seeks =
to find a balance between style selections and what the piano dictates.  =
I think that is a better system.

The 300 page memory can be upgraded to 1000 pages for an additional cost =
(as Paul L mentioned).  There are presently a few glitches that are =
being worked out with the upgraded memory, but I wonder just how =
important the extra memory is.  If you believe that inharmonicity =
changes with weather, then you would want to recalculate at each tuning =
anyway.  If you don't, then since you can premeasure and a full 2 pass =
tuning is not required to get excellent results, I don't consider it =
critical. =20

It comes fully loaded with a variety of HT's and as difficult as it is =
to admit, I actually like the way it tunes ET. =20

The simple fact that it measures multiple partials (rather than one =
targeted partial) on a given note simultaneously and uses that data =
collectively and progressively to project a curve, puts it above any of =
the machines that I'm familiar with.  There are other features that I =
haven't mentioned, but I think it is truly state of the art.=20

David Love

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