Hi Andre, Well, maybe I'm not so stupid after all! That's (10mm) is ALWAYS what I start with. And I keep it there unless I absolutely HAVE to change it to get things to work out! Thanks for your post! Avery At 08:08 PM 10/18/02 +0200, you wrote: > > From: Richard Brekne <Richard.Brekne@grieg.uib.no> > > Reply-To: Pianotech <pianotech@ptg.org> > > Date: Thu, 17 Oct 2002 14:03:57 +0200 > > To: Pianotech <pianotech@ptg.org> > > Subject: Re: key dip > > > > antares wrote: > > > >> I personally have come to the conclusion that there is actually just > one key > >> dip and that key dip is 10 mm sharp, and no more than 10 mm. > >> All piano makers in the world have a key dip of 10 mm except the earlier > >> Pleyels, Blüthners and modern Steinways.... although, when I had my > lessons > >> at Steinway the head technician at the regulation department told me > that he > >> thought a key dip of less than 10 mm on any Steinway was bloody baloney. > > > > First off... I have 6 manuals in front of me. 4 of them official > manufacturers > > specifications. I quote from these for your edification. > > > > Schimmel Grands > > > > Over 2 meters --- key dip 10.4 -10.8 > > Under 2 meters -- key dip 10.2 - 10.6 > > Blow ranges from 44 to 46 in the specifications, and 44 to 48 in the grand > > requlating guide. > > > > Schimmel Uprights > > > > Key dip 10.2 +/- 0.2, and 9.9 +/- 0.2 for pre 1985 models. blow 43 / 46 > > > > Yamaha grands > > > > Key dip 10 mm +/- 0.2. Laroy Edwards gives 10 mm and says temper this with > > common sense and a knowledge of action function. > > > > Kawaii Grands > > > > Key dip for KG-8 is 11 mm, all other models is 10.5 > > blow is 46 -48 > > > > I could go on and document factory specifications that range from 9.5 > to 11 >mm > > quite > > easily. Again I must insist that there is no basis for demanding that > the 10 > > mm key > > dip has shown itself to be the best. Nor is it true that all or even the > > extreme > > majority of manufacturers specify this. I will go along with that close > to 10 > > mm is > > a good norm, and it is indeed the one I choose. But to declare it as a > > universal > > holy grail I will not. > > >OK brother, > >Touché and very clever. > >But.... >On the other hand, the average key dip in the world is 10 mm and the >majority of all pianists wants 10 mm. > >When I started learning piano stuff on the piano technical school I learned >that key dip is 10 mm. >When I started as an apprentice at Goldschmeding (then the biggest piano >store in Amsterdam) a special key dip tool was made for me to make sure that >my key dip should always be 10mm. >When I went to Bösendorfer for factory training, they made sure I understood >that key dip was 10 mm. >When I went to the Yamaha they trained me (as I said before) for one week to >learn what exactly a 10 mm key dip feels like. >Afterwards I received a regulation and service manual (the authentic Yamaha >"Basic piano technology book") where on page 155, Chapter VII of Grand >regulation, a key dip is given of exactly 10 mm with a striking distance of >46-48 mm. >Then I went to Steinway where they taught me to forget about the lesser >Steinway key depth (9.8 or something?) for all models from S to B and >instead go ahead with the usual 10 mm. >And last autumn I went to Bechstein in Berlin where exactly the same 10 mm >is applied to all instruments. > >And... >after all the countless regulations I made on all kinds of makes, I now >insist on a key dip of 10 mm, whether the striking distance is 40 or 50 mm. >If any factory prescribes a key dip of more or less, than I say : they do >not conform to the key dip that has been developed during the last 100 or so >years. When the most well known and very best piano makers in the world use >a key dip of 10 mm, than I have reason to learn from them and make those 10 >mm my own. > >During all those years of learning the process of regulation I have had a >thorough experience in experimenting with a key dip of 10 plus or minus. >After my lessons at Yamaha I knew better, and 10 mm it will be. >When I now regulate a grand piano I make it a sport to make a very very >precise key dip with the biggest striking distance possible. >This means : a very sharp regulation with a dot on every i. >I (almost) always succeed in making a delicious and safe regulation with >enough after touch. After finishing a regulation the moment of truth comes : >I go to my tool bag and get out the yellow Yamaha striking distance gauge I >have not yet used during regulation, and I measure hammer section after >hammer section. Usually I get my reward for precision work with a full 46 mm >and often I get a bonus with 47 or even more. > >That always means getting a well regulated action with a safe touch, and a >lot of power. >We have done exactly that on the STW B in Bergen during the seminar and it >came out beautiful, so why not accept the approved (by almost all) standard >and use the 10 mm as the reliable basis it really is? > > > > > > >> In regard to making key dip : I had to train one whole week to learn > what a > >> perfect key dip is. > > > > Hmmm... interesting concept... the perfect key dip. Could you describe that > > for us > > in terms of regulating specifications ? > >Because making the right key dip is actually very difficult (as it relies on >individual finger pressure) I had several minor misunderstandings over this >issue with my instructor (a very fine Japanese gentleman who spoke very good >English as he had been stationed in London for a number of years as a >concert technician). When he finally began to understand that I was just >plain dumb and ignorant he got out "the weight". This was a small weight of >exactly 250 grams which the use as an example for making key dip. >So they place the weight on the (white) key and then you place your key dip >block in front of it in order to feel the dip with your fingers. >You then train with this weight for a long time to make sure that you >understand exactly how hard to push with your finger/key depth gauge to get >exactly the desired 10 mm. > > > > > >> > >> After that, when I read about various key dips, I always feel this urge to > >> open up the magic box and type in the words I just typed in. > > > > Heck Andre... agree or not... I respect and admire your advices and > > expererience in > > all things piano ! > >Hey Ricardo mio! >when we meet again, the next 5 rounds of anything drinkable are mine...OK? >or should I have said 10? (; > >With even higher elevated friendly greetings >from > >Antares, > >Amsterdam, Holland > >"where music is, no harm can be" > >visit my website at : http://www.concertpianoservice.nl/ > > > >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives
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